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p iano music for the left hand alone with catalogue of more than 800 composers who wrote dr. hans brofeldt being a composer myself with a keen interest of i was amazed at this web site. and being "in company" with composers like ravel, strauss, britten, godowski, schmidt, korngold and prokofiev - just to name a few in this "data base" with thousands of pieces i could not be more pleased. the courtesy of dr. brofeldt to single me out as the "most prolific" composer/transcriber ever for left-hand playing pleased me very much and i hope that i may have made a valuable contribution to this unique genre - thus giving my work both significance and merit. so i give my most whole-hearted recommendation: if you are looking for left-hand works - this is the place to find it. ( frdric meinders, composer .) being a piano left-handed performer and a composer and arranger of many pieces, like bach's chromatic fantasy and fugue , ravel's la valse and stravinsky's l'oiseau de feu , as well as composer of works of chamber music with piano left hand, i feel extremely happy and honoured that my name has been included by dr. hans brofeldt in his web site. his site is incredibly rich in information about the already so extended repertory devoted to the left hand, and represents a "must" for everybody who is interested in this particular field of the creation. i am also fully grateful to dr. brofeldt to make me aware of the existence of so many pieces that were completely unknown to me before. he has done a huge and most impressive work of research and he deserves my highest esteem. ( raoul sosa, pianist, composer, conductor) a fascinating and comprehensive website by dr. brofeldt on left-hand piano music. (james marchand, pianist) this site features a catalogue of more than 700 composers who wrote , along with links and information about the performers of this rare musical discipline. created and hosted by danish music professor hans brofeldt, this online resource is dedicated to the famous champion of , paul wittgenstein. (kirk whipple, composer and pianist and famous in the whipple - morales duo) i'm looking at your site and enjoying it very much! incredibly enough, considering when you first told me about it, i've just looked at your site for the first time!!!! i must congratulate you on your really wonderful work. you've shown me that there are still a lot of composers i've never heard about! with all the very best, marc-andr hamelin, world famous virtuoso pianist Русская версия сайта Сайт находится в стадии разработки russian version of the site this site is dedicated to the memory of paul wittgenstein whose determination to pursue an international career as a concert pianist with only one arm has enriched the piano literature with many great works and has been an inspiration for later pianists in more or less the same situation. paul wittgenstein vienna, 05.11.1887 - new york, 03.03.1961 index of alphabetical catalogues a b c d e f g h i j k l m n o p q r s t u v w x y z the site is meant to serve three purposes: 1. to widen the knowledge of this unique art, and 2. to encourage the readers to contribute with corrections and additional information about composers and works to make the site as complete as possible. - so comments will be welcomed - at the bottom of the page you can click to contact me, and - finally 3. to tell many stories that were never told about composers and artists. with this site you will - i hope - have a data base of all left hand works (a page about the comparatively few right hand works will come in due time) and, at the same time, you will have biographies and (hopefully) interesting stories about the composer who created this unique art. the data base and the information should all be accurate - so are the history - but they are seen through my eyes after working with music and musical history for more than 40 years. no attempts have been made to make this page interesting with fancy effects, visual gimmicks or any such things. its sole purpose is to serve this musical phenomenon, which by closer acquaintance will prove rewarding and contain interesting stories from the tragic over the purely informative to the funny. and - mea culpa - the background and the text is carefully chosen, so that you can - in opposition with many web-sites - easily read the text my own interest and work on this project began more than 30 years ago and was first meant to be published in the form of a book. since then the project has been halted several times by personal matters, and meanwhile i learned that i had been beaten by dr. theodore edel, whose book piano music for one hand (indiana university press - 1994) i highly recommend. here you will find much additional information and valuable technical and musical evaluation of many of the works. you will also find chapters about other combinations - such as right hand alone, two left hands, three hands, five and so on - which i urge you to read about in that book. but the final decision for publishing my research (without any personal financial proceeds at all) is that edel's book is marred by many errors and besides the present site lists a much larger number of works and composers, which edel has either overlooked - or had no knowledge of. his book is still valuable and together with the present site you will get a full overview of how large this repertoire is. in fact that is the beauty of the net vs. a printed book. many works for the left hand has been composed since the publication of edel's book - and i have information about many works which have been composed since 1994 or are being composed by composers from all over the world at this very moment but have not yet been completed and published. (one small piece of practical information to the music lover who does not play the piano him- or herself: i shall many times be referring to fingering : this is quite an important issue and it is the composer's or the editor's suggestions as to which finger should be used to the best advantage on this or that key. this fingering is marked in the scores by small numbers and the fingers are always counted like this: thumb is nr.1 and the little finger is nr.5 - (the rest thereby being hopefully obvious.) this fingering is extremely important with, for example, a composer like godowsky.) introduction the history of really began with the invention of the modern piano in the 18th century. there are a few early works, which may as well be played with one hand on the organ or the harpsichord, but it was the invention of the sostenuto (or forte) pedal, that made the whole difference. with that it became possible to let one or more tones keep on sounding, after the keys had been released. and by striking other keys immediately after, you could make the illusion that you were actually playing in more places at the same time. this is the very essence of modern left hand playing: making believe that you are in fact playing with two hands. maurice ravel said about his own piano concerto in d major: "the listener must never feel that more could be accomplished with two hands". the literature roughly falls in two categories: one has the tragic background, that pianists - like everyone else - may loose an arm or a hand or anyway the use of it. (and - mind you - a pianist's hand is a very delicate instrument; either it works 100 % or it does not work at all - and just an injury to one finger can ruin the instrument ). the other category can best be described as musical-intellectual gymnastics , and here i talk about composers who - without a tragic background - try to push the limits to the absolute maximum of what you can do with one hand alone. whether this illusion is successful depends on the composer's or the arranger's imagination and understanding of the subject, and here leopold godowsky clearly represents the summit of the art. his insight and ingenuity has not yet found its equal though composers and transcribers li

URL analysis for left-hand-brofeldt.dk

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Domain: left-hand-brofeldt.dk
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